In this fully narrated, step-by-step tutorial, Eric builds an Octopus Tentacles project from start to finish. Well known for his crazy experimentations in Substance Designer and his mind-blowing attention to detail, Eric has collaborated with Levelup.Digital to bring you insights into his workflow. Enhance your video intros and create better and enriched motion graphics Have a strong foundation to start your own style in creating amazing shape layers animations with Adobe After Effects The more you experiment, the more you develop your own style.Īt the end of this course, you'd be able to: Go through all the operands or FX that can be applied to shape layers in Adobe After Effects.Ĭreate some real and simple shape layers animation projects in Adobe After Effects as examples to give you ideas about what you can do with shape layers. How to use both text and pen tools to create shape layers in Adobe After Effects. Know the difference between shape layers and masks in Adobe After Effects.ĭiscover the Fill and Stroke Options for Shape Layers and how to create custom gradients in Adobe After Effects. Through out this Adobe After Effects shape layers course, we are going to cover the following: Shape Layers were introduced in Adobe After Effects CS3 & are a great additional tool to be able to create things like additional assets, animating items, backgrounds, buttons, all kinds of different bits and pieces & they are very easy to animate & you can do some very powerful things with them. I’m not talking about colours, but the overall look.Sorry for the mistake, yesterday I uploaded the wrong file. You can see that the character is very different. The shot below is a recent scan of a film photo. When you shoot a roll and scan it, it has a nice nostalgic feel, but grain and inherent softness are a lot more than people probably would expect, unless you regularly shoot film (cue hate mail from film photographers). We have a fairly nostalgic view of film but in reality, digital has surpassed it in terms of resolution and “quality”. The main reason is that most people would probably be turned off if it was 100% accurate.
I think this captures the essence of film, but not necessarily a completely realistic simulation. While I haven’t shot a lot of these particular colour socks, I have shot a good bit on film. I’m not really sure it’s 100% accurate to shooting the same film stocks - especially on 35mm. Is it an accurate representation of film? The Fujicolour 800Z style is more contrasty and a bit warmer.
The looks have a distinctly cooler tone than the Kodak ones, and there is a desaturation of greens.
0 kommentar(er)
